The novel Bright Lights, Big City by Jay McInerney relates the storey of a young man working for a spectacular newspaper in Manhattan by day, while visiting galore(postnominal) bars and nightclubs during the night. He manages to accomplish this through the help of his exercising of cocaine, to which he is potently addicted. Throughout the novel McInerney employs the use of the apathy bilk, a current drool in the New York Post, a local tabloid, as a symbolic representation of the briny constitution. The syncope Baby has been residing in its develops womb after the mother suffered a car accident and entered a coma. The debate is to whether the apathy Baby furbish up out see the light of the speech communication room. In this passage the main(prenominal) region is experiencing a dreaming where he interacts with the Coma Baby in his workplace. This passage, through the lyric poem and phrases employed by McInerney as both dialog and narration, is hygienic supp ort for the concept that like the Coma Baby, the main register wants to avoid facing the harsh realities of life and continue keep isolated in his world of narcotic-induced pleasure. The author uses the interaction of the main lineament and the Coma Baby as proof that the main character will non realize the fallacies of his appearances until he has hit rock-bottom.
The Coma Baby is shown to be the symbolic representation of the main character through his actions and philosophy toward life, a philosophy wholly loose and unmotivated. As the main character approaches he asks the Baby if hes vent to come out. Th e Baby responds with No way José. I like i! t in here. Everything I need is pumped in.(line 11) This utterance illustrates the main characters spot toward life. With the condition that the Baby gets what he needs, If you want to get a full essay, order it on our website:
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